![]() I, however, like the multi-touch feel of the KS-1974 and my iPad, and I really like having unlimited potential for layouts at my fingertips. Some operators might not like the feel of touchscreen interface because they prefer the tactile nature of a real button or slider. I do like the physical size of the KS-1974 it’s reminiscent of the (dating myself here) older Jands Hog 500. Obviously, because it has to be tethered physically via video and USB cables to the computer running its control software. Using the KS-1974 is also not as convenient as TouchOSC with regards to mobility, Mapping the MIDI messages to the faders, encoders and buttons is also not difficult the tricky part just seems to be determining how differing terminologies used by the various software developers mesh. The software allows you to configure a MIDI template on a bigger surface than an iPad for playback control, but with a very similar look and feel as TouchOSC. The KS-1974 is the desktop model that runs the same Emulator Pro software in the DVS system. In order to make this work, you will need: I am interested now in exploring using TouchOSC for controlling other media server/MIDI capable apps like Modul8, VDMX and Resolume! At first, I thought this meant “Channel,” but within TouchOSC, this translates as the “Number.” Documentation from both software apps also was not very helpful in figuring this relationship out, but within a few minutes of “fiddling about,” I had a working template and was able to trigger faders and controls of ArKaos from my iPad. However, in ArKaos, each fader has a different “C” assignment. The Channel # in TouchOSC doesn’t change for my test, it remained at 1. The hardest part of configuring my template to control my ArKaos (running in Simple mode as well) was in determining that while ArKaos displays values for MIDI clearly on each fader as c.# and n.#, these numbers didn’t directly translate into TouchOSC Editor. Upon launching the TouchOSC Editor, I loaded a default template called “Simple.OSC” and began “having a fiddle,” as my British colleagues might say. It was very simple - just three steps, and I had them talking. I installed both of these on the laptop that I was using to run ArKaos MediaMasterPro, and I stepped through the setup for connecting my iPad to my laptop over my WiFi network. The process began with having to download and install two free applications from Hexlar: MIDIBridge and TouchOSC Editor. I set out to explore the possibility of using TouchOSC to control my ArKaos software and found the setup to be fairly straightforward. ![]() TouchOSC allows you to connect to practically any MIDI capable application via one of three methods: Control documentation is also available on the developer’s website that is very helpful in stepping you through the ins and outs of configuration. However, it does contain some generic templates, and it also allows you to customize your own templates via its TouchOSC Editor software that runs on an external PC or Mac. ![]() I downloaded it for my iPad for $4.99, and immediately went, “Wow!” Complex? Yes, a little, as it does require every button and encoder on the interface to be mapped to a function in the software you are using it to control. TouchOSC is a control interface developed for iPhone, iPad, and iPod Touch. Let’s take a closer look at two of the more recent MIDI/Touchscreen interfaces that are making appearances at your local EDM venue nightly. Combine this interface protocol with a touchscreen GUI, and you’ve got a powerful control interface with virtually unlimited configurations. One such protocol, not as often used in lighting today like it once was, is MIDI. Instead, many visual jockeys (VJs) are looking to other types of communication protocols for the ultimate in control. The majority of these DJ acts feature visuals that are programmed using a media server but not operated using a lighting console. With the rise in popularity of electronic dance music (EDM), DJs are touring now with elaborate visual productions.
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